“A condition report photographed on the day a work ships sounds like paperwork. In a dispute, it's the only thing standing between 'he said, she said' and an actual resolution.”
Domestic interiors held within a close, muted palette — two rooms painted so quietly the light barely moves.
Building a collector base that buys more than once — the business side of a studio practice, from an artist's perspective rather than a collector's.
Finishing a piece outdoors in one sitting, and never touching it up — a look at the parts of a studio practice that rarely make it into an artist bio.
From escrow release to wallet balance to withdrawal — the payment path a sale actually takes.
Painted from photographs taken aboard a working shrimp boat over two seasons in the Gulf. A closer look at how Sigrid Lunde built the piece, and what it's actually made of.
Outdoor landscapes finished in a single sitting and never reworked indoors — three canvases painted at the pace the light allowed.
The 14-day return window explained, and what it actually covers.
A practical look at collecting emerging artists on purpose, not by accident — one of the more common questions new collectors run into.
How to size a limited edition without guessing — the business side of a studio practice, from an artist's perspective rather than a collector's.
A practical look at negotiating price on a limited edition, and when not to bother — one of the more common questions new collectors run into.
Currency exposure for international art buyers — a look at the economics most buyers never see spelled out.
Stretched, framed and crated in the artist's own shop before it goes anywhere near a carrier. A closer look at how Sigrid Lunde built the piece, and what it's actually made of.